Graphic novels and the refugee crisis

(K. Brent Tomer),

ART SPIEGELMAN, the renowned graphic novelist behind “Maus” (1986, 1991), proved that comics can be expansive and nuanced enough to capture the stories of movements, peoples and nations. “Maus” depicted the experiences of his parents at the hands of the Nazis, including their imprisonment at Auschwitz. “In the Shadow of No Towers” (2004) recounted the events of the 9/11 attacks. Both works initially struggled to find a publisher—comics seemed too risky a medium to document such horrific events—yet they are now considered canonical graphic novels, works that cemented the genre’s gravity. 

Faced with documenting another 21st-century horror—the migrant crisis—a new generation of graphic novelists has taken up Mr Spiegelman’s torch, depicting the deadly journey across the Mediterranean. “A Perilous Journey”, a comic series by Benjamin Dix and Lindsay Pollock, follows three men who fled their homes in Syria for Europe (the last frame takes the unexpected form of a photograph, showing one of the characters reunited with his family after being granted asylum in Norway). In 2016, Marvel produced “Madaya Mom”, inspired by the experiences of a young…Continue reading

via K. Brent Tomer CFTC Graphic novels and the refugee crisis

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